I haven’t jumped on the PHOX bandwagon in the way almost every other human I’ve encountered has, but I like this track – it has the editing and single focus I’d like to see for them overall. The video is at once ethereal and wacky, a fairly succinct summation of the band.
Sometimes a body just needs some boot stompin’, beer-swiggin’ American rock and roll. That’s precisely what the crowd got at the Majestic Theater in Madison, Wisconsin on February 15, 2014 when they saw The Wild Feathers.
Affectionately dubbed “The Snowed Out Tour” according to Taylor Burns due to the sub-freezing temperatures the Nashville quintet has been encountering throughout the Midwest, the band warmed up the room with a blazing set that hit every track on their debut record along with a new song. Highlights included “Hard Times,” crowd-sing-along favorite “Left My Woman,” and barn-burner “Backwoods Company”. Also of note were their well-chosen encore choices by The Band and Led Zeppelin – where their main set was a stone-solid performance the encore was more akin to a jukebox sing-along with your best pals.
Part of The Wild Feathers’s appeal is the diversity found among the members – drummer Ben Dumas can bang it out with the best of them, Burns has a bluesy bent that calls to mind Chris Robinson, and Joel King’s garage-rock howl is tempered by Ricky Young’s gorgeous delivery. Preston Wimberly rounds out the four-part harmonies but really shines on guitar; his solos actually add to the quality of the songs as opposed to being indulgent or distracting. Such a wealth of talent in one place led to a truly memorable evening.
Opening acts Saints of Valory and Jamestown Revival were no slouches either – SOV’s anthemic rock is ready for an arena stage and the Jamestown boys have buckets of charm. The three bands will be touring together into March. Click here to get dates and free tour sampler.
You can check out all the photos from the show here.
Hard Wind, Backwoods Company, I Can Have You, If You Don’t Love Me, Got It Wrong, Hard Times, I’m Alive, How, Tall Boots, [New Song], American, Left My Woman, The Ceiling
Hey Hey What I Can I Do (Led Zeppelin cover), The Weight (The Band cover)
For too long people who pursue creative ventures have been without health insurance, and in Wisconsin we’re working to change that. Today marks the launch of Sing Forward!, a campaign to get musicians, artists, and the service industry workers who support us insured. Wisconsin musicians and industry workers recently got together to record a song to get the word out – watch below and get ready to be singing the chorus for days.
Like the song? Remix it, cover it, or post a sing-along video by February 14th for a chance to win concert tickets, cash, and more. Visit the Sing Forward! website to get the materials you need.
Also be sure to take a few minutes to listen to Tom’s story – no one should ever have to die like this again.
Charles Bradley & His Extraordinaires brought soul, funk, and sequins to the High Noon Saloon on December 4, 2013. The victim of love himself shouted and shimmied his way through two sets and an encore, often proclaiming his love for the crowd and even stepping offstage to hug his fans. Click on any photo below to see more shots from the night, or follow this link.
Caroline Smith has been very popular in Madison, and for years I’ve been on the outside looking in. I first saw Smith with her band The Goodnight Sleeps at the High Noon Saloon a couple of years ago and was so bored that I actually went to go sit down in the back. I tend to be overly picky about female singers, and women in the singer-songwriter category almost never are a hit with me. I saw the band again after the release of Little Wind and while there was a song or two that wasn’t bad I still just couldn’t get excited about Caroline Smith the way so many of my friends did.
Smith released a new album, Half About Being a Woman, in October and it was reported that her sound was markedly different. When I saw she was opening for Charles Bradley & His Extraordinaires at the High Noon Saloon on December 4, 2013 I thought I should give her another look.
What I’d heard was right – she has taken a new approach to her style. Most notably she’s replaced her band and moved from acoustic to electric. The more robust instrumentation allows Smith to push her voice and for the first time I noticed how lovely it really is. While some remnants of her shared past with Haley Bonar and Colbie Caillat remain, the new material references soul and 90s R&B. Generally Smith seems to have left some of the wide-eyed earnestness behind and has embraced fun – her set was full of smiles and dancing and even a few of Kendrick Lamar’s verses. I’m still not head over heels for Smith, but I can say that I’ll no longer skip her set when she’s on the bill.
Caroline Smith returns to Madison & the High Noon on January 16, 2013 as part of FRZN Fest.
See more photos from her December show here.
You can find more from Caroline Smith here.
I’ve been digging on California Wives since we first heard them this summer. On January 25, 2013 I finally got a chance to check them out at the High Noon Saloon as part of FRZN Fest in Madison, Wisconsin. Playing a bulk of their album, Art History, California Wives evoke the 80s without being kitsch. Their sound is firmly planted in the present but one immediately knows the familiar landscape of the band’s upbringing.
Art History‘s songs are well-crafted, but they take on a new urgency and depth live. “Better Home” was the set’s apex, crashing relentlessly over the crowd during the song’s last two minutes. The band smartly reserved their self-proclaimed danciest songs for the end, knocking out “Marianne”, “Purple”, and “Blood Red Youth” in quick succession. Combined with charming banter and visual panache, California Wives gave one of the most solid performances I’ve seen in awhile.
Click on any of the photos below to see more pictures of California Wives, or click here.